52 Titles: Alain de Botton’s “The Pleasures and Sorrows of Work”

Last year for Christmas, my good friend Jon gave me a copy of Alain de Botton’s The Pleasures and Sorrows of Work. When I unwrapped it, I chuckled: I hadn’t been at my first full-time job for long, so it seemed fitting that a book should welcome me into the first years of 30 or 40 at a desk.

There isn’t a person without anxiety about becoming a cog, a single-utility element of the capitalist complex; hammered down into place like a peg that juts out above the others. We spend the vast majority of our waking hours at our jobs, yet spend so little time ruminating on the psychological and philosophical significances of the act.

My favourite passage:

For most of us, our bright promise will always fall short of being actualised; it will never earn us bountiful sums of money or beget exemplary objects or organisations. It will remain no more than a hope carried over from childhood, or a dream entertained as we drive along the motorway and feel our plans hovering above a wide horizon. Extraordinary resilience, intelligence and good fortune are needed to redraw the map of our reality, while on either side of the summits of greatness are arrayed the endless foothills populated by the tortured celibates of achievement.

Most of stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, anunprocessed rebelliousness, a fatal impatience or sentimentality). We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or bicycle.

I came to know this feeling well while working as a copy/page editor. You do the same thing, day in and out. At this job, I had a co-worker, a huge soccer fanatic (he ran a popular podcast on the subject) who told me he had aspirations of becoming a professional soccer player while we waited for the bus home after our shifts ended at 1 a.m. He had reached the minors, some Ontario-Quebec-New York league, and at one point had aimed at joining the MLS. Of course, that didn’t happen, and so here he was, working the night shift as a newspaper page editor, and feeding his passion where time allowed.

I, too, had those kind of lofty goals — becoming a photographer, a painter. I came to a crossroads when I was 18 or 19, when I started university. I could make a steady living (journalism doesn’t pay much, but at least it pays every two weeks) or I could make pretty pictures and wonder where the next $100 was going to come from.

I chose journalism because it was safer, which is to say I compromised my full happiness for a 3/4 version that also comes with security. Most days I’m happy at work, but it’s the odd day when a nagging feeling comes over me that I am actually Carl in Up, puzzled at how little I’ve done and will do with my remaining years. It takes a brave person to leap into their real passion — it is a rule that there is a negative correlation between fulfillment and wealth. If my tiny part from an aircraft, so to speak, is bravery, then I say without any hesitation or shame that I am not brave enough for that life.

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52 Titles: Rebecca Skloot’s “The Immortal Life of Henrietta Lacks”

Henrietta Lacks was a black woman from Baltimore who died of an aggressive cervical cancer in the 1950s. During her treatment at Baltimore’s Johns Hopkins (a free hospital for blacks) and after her death, her malignant cells were taken by hospital researchers without her or her family’s consent. Researchers (not just there but everywhere) were struggling to find cells that could reproduce in a petri dish, so they would regularly take them from patients. At a free hospital for black people, especially, doctors probably felt like it was a fair exchange for the treatment they were giving away.

Lacks’ cells turned out to be strangely, powerfully robust. They thrived, and grew overwhelmingly quickly. When researchers realized what they had on their hands, they started sharing and manufacturing her cells for countless numbers of experiments — producing vaccines, testing cancer therapies and new drugs of all kinds, all kinds of medical procedures. All the while, the family never knew her cells were taken. The production and sale of her cells has generated millions of dollars — billions, if you count the revenue from popular drugs and advances that could only have been developed using her cells. Even so, the Lacks family has never seen a penny in royalties or compensation; most members can’t afford healthcare.

Reading a book like this reveals to you the full extent of what a paternalistic, racist past the medical system has in its closet — just think of the Tuskegee syphilis experiment. (It’s worth noting that when HeLa was first commercially manufactured for sale to other researchers, it was done at Tuskegee as well.)

The Immortal Life isn’t merely a science book about medical ethics. It’s about race relations, how to right a wrong, and about how a woman’s short life became bigger, much more significant after life; a tribute to someone whose legacy is mostly known not by her full name, but a test-tube label abbreviation of it.

Bonus material:

Radiolab (aka the greatest radio show in the world) aired a great doc by Skloot before the book came out.

An old video from the ’50s about HeLa:

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52 Titles: Gabriel Garcia Marquez’ “Tales of a Shipwrecked Sailor”

Part of the reason I started this project was to read more from the authors I already know and love — Gabriel Garcia Marquez is one of my favourites, and I intend on reading everything that’s been translated from its original Spanish before the year is out.

No better place to start than with one of his earliest works, which is a series he wrote while working as a journalist in Colombia, back when it was under a dictatorship. In the foreword, Garcia Marquez says he was assigned, unwillingly, by his editor to record the paid-for tale of a shipwrecked sailor. Any journo would balk at working on a story that’s been paid for, but as he starts talking to the sailor, it develops into something more than just the story of a navyman who was washed overboard and drifted for eight days before landing back on the shores of Colombia. Why did rescue planes spot him drifting in the ocean but turn back? Why did the ship not turn back for him when they must have noticed he and several others went overboard? Why did several life-rafts also magically end up in the water with them?

Even when Marquez writes non-fiction, it has flashes of the straightforward language and his moody, magical realism. Really wonderful and instructive — both on why you should take on dud assignments, and how to make journalism read like literary non-fiction.

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A haiku for springtime

The air warms; snow melts,
revealing a winter’s worth
of unclaimed dog shit.

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Project 52 Titles: Read one book a week

A few months ago, I started a new job at the Toronto Star as a photo editor (leaving my old post as online editor at Metro). I now work four days a week, leaving me with lots of time to putter around the house, eat bonbons, watch Oprah and paint my toenails. Also, I no longer work with words — unless you count editing photographers’ awkwardly written cutlines in that category, which I don’t. (Hey, remember when I said I was going to write one blog post a week after my feminist column ended? Yeah, no.) It all left me with something to be desired, which got me to actually start reading again, not just fitfully buying stacks of books and staring guiltily at the uncracked spines on my shelf.

Thus, my new project: read one book per week. Enter Project 52 Titles.

Since Jan. 1, I’ve read the following:

The Gospel According to Jesus Christ by Jose Saramago
The Pleasures and Sorrows of Work by Alain de Botton
The Tiger by John Vaillant
The Immortal Life of Henrietta Lacks by Rebecca Skloot

The plan is to reflect on and muse about what I read on this blog (posts on the above titles to come); share the best bits; learn how to be an engaged reader again. I miss that.

That, and my other pressing goal: learn how to use my new, titanium- and enamel-clad, 5-quart, cast iron Staub French oven:

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